“He apologized and asked that ‘ideally’ he be given an additional four weeks to get everything together. “On February 24, Mick reached out to communicate that he and his team were fine with the terms of the agreement but that there was a lot more work involved than anticipated, a lot of content to wade through,” Stratton writes. After agreeing with Gordon on the contract for a soundtrack by early March, Gordon reached out to id requesting an extension. The reason for this was because of some complications on the production side of things, and according to Stratton, a shifting deadline. You'll be able to spot the small handful of tracks I mixed (Meathook, Command and Control, etc.)- Mick Gordon ApIn a lengthy post on the Doom Eternal subreddit, Stratton attempted to clear the air as to why the soundtrack for the new shooter was not fully mixed by composer Mick Gordon’s whose award-winning work on Doom 2016 has defined the rebooted Doom series. I didn't mix those and wouldn't have done that.
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